bo burnham: inside transcriptst anthony basketball coach

"A part of me loves you, part of me hates you," he sang to the crowd. Or DM a girl and groom her, do a Zoomer, find a tumor in her HOLMES: And this is what the chorus of that song sounds like. The vocal key used in "All Eyes On Me" could be meant to represent depression, an outside force that is rather adept at convincing our minds to simply stay in bed, to not care, and to not try anymore. His new Netflix special Inside was directed, written and performed all inside one room. At various points, the gamer is given the option to make the character cry. There's no more time left to add to the camera's clock. At the second level of the reaction video, Burnham says: "I'm being a little pretentious. WebBo Burnham: Inside is a 2021 special written, directed, filmed, edited, and performed by American comedian Bo Burnham. Burnham's career as a young, white, male comedian has often felt distinct from his peers because of the amount of public self-reflection and acknowledgment of his own privileges that he does on stage and off screen. A part of me loves you, part of me hates you / Part of me needs you, part of me fears you / [. Parasocial relationships can be positive too, as outlined in culture critic Stitchs essay On Parasocial Relationships and the Boundaries of Celebrity for Teen Vogue. Bo Burnham defined an era when he created Inside. The question is now, Will you support Wheat Thins in the fight against Lyme disease?). It's a heartbreaking chiding coming from his own distorted voice, as if he's shaming himself for sinking back into that mental state. Remember how Burnham's older, more-bearded self popped up at the beginning of "Inside" when we were watching footage of him setting up the cameras and lighting? While platforms like Patreon mean creators can make their own works independently without studio influence, they also mean that the creator is directly beholden to their audience. Doona! So we broke down each song and sketch and analyzed their meaning and context. Please check your email to find a confirmation email, and follow the steps to confirm your humanity. Netflix Went out to look for a reason to hide again. It's a reprieve of the lyrics Burnham sang earlier in the special when he was reminiscing about being a kid stuck in his room. Burnham can't get through his words in the update as he admits he's been working on the special much longer than he'd anticipated. Copyright 2021 NPR. The arrogance is taught or it was cultivated. The clearest inspiration is Merle Traviss 16 Tons, a song about the unethical working conditions of coal miners also used in weird Tom Hanks film Joe vs. At the end of the song, "Inside" cuts to a shot of Burnham watching his own video on a computer in the dark. Like he's parodying white people who think that by crucifying themselves first they're somehow freed from the consequences of their actions. The second emotional jump scare comes when Burnham monologues about how he stopped performing live because he started having panic attacks on stage, which is not a great place to have them. The monologue increases that sense of intimacy; Burnham is letting the audience in on the state of his mental health even before the global pandemic. Not only has his musical range expanded his pastiche of styles includes bebop, synth-pop and peppy show tunes Burnham, who once published a book of poems, has also become as meticulous and creative with his visual vocabulary as his language. WebBo Burnham: Inside is by far one of the riskiest and original comedy specials to come out in years. "And so today I'm gonna try just getting up, sitting down, going back to work. That's when the younger Burnham, the one from the beginning of his special-filming days, appears. Photograph: Netflix Its a measure of the quality of Inside 1.0 that this stuff could end up on the cutting-room floor. But then the music tells the audience that "he meant to play the track again" and that "art's still a lie, nothing's still real.". Might not help, but still, it couldn't hurt.". Then, the video keeps going past the runtime of the song and into that reaction itself. jonnyewers 30 May 2021. He's also giving us a visual representation of the way social media feeds can jarringly swing between shallow photos and emotional posts about trauma and loss. Even when confronted with works that criticize parasocial attachment, its difficult for fans not to feel emotionally connected to performers they admire. The song brings with it an existential dread, but Burnham's depression-voice tells us not to worry and sink into nihilism. Come and watch the skinny kid with a / Steadily declining mental health, and laugh as he attempts / To give you what he cannot give himself. Like Struccis Fake Friends documentary, this song is highlighted in Anuska Dhars video essay, Bo Burnham and the Trap of Parasocial Self-Awareness. Burnhams work consistently addresses his relationship with his audience, the ways he navigates those parasocial relationships, and how easy they can be to exploit. Burnhams online success and an awareness of what kind of his audiences perceived closeness made the comedian key to one of the most prominent discussions in a creator- and influencer-driven era of media: the idea of parasocial relationships. He's showing us how terrifying it can be to present something you've made to the world, or to hear laughter from an audience when what you were hoping for was a genuine connection. BURNHAM: (Singing) The live-action "Lion King," the Pepsi halftime show, 20,000 years of this, seven more to go. WebA grieving woman magically travels through time to 1998, where she meets a man with an uncanny resemblance to her late love. Other artists have made works on the wavelength of Repeat Stuff, but few creators with a platform as large as Burnhams return to the topic over and over, touching on it in almost all of their works. "Robert's been a little depressed," he sings (referring to himself by his birthname). In another scene, Burnham gives a retroactive disclaimer to discussions of his suicidal ideation by telling the audience, And if youre out there and youre struggling with suicidal thoughts and you want to kill yourself, I just wanna tell you Dont! Look Whos Inside Again is largely a song about being creative during quarantine, but ends with Now come out with your hands up, weve got you surrounded, a reflection on police violence but also being mobbed by his fans. . If we continue to look at it from the lens of a musical narrative, this is the point at which our protagonist realizes he's failed at his mission. Let's take a closer look at just a few of those bubbles, shall we? I did! He points it at himself as he sways, singing again: Get your fuckin hands up / Get on out of your seat / All eyes on me, all eyes on me.. The frame is intimate, and after such an intense special, something about that intimacy feels almost dangerous, like you should be preparing for some kind of emotional jump scare. Bo Burnhams latest Netflix special, Inside, is a solo venture about the comedian and filmmakers difficult experience in quarantine thats earned enthusiastic critical acclaim. And we might. See our full breakdown of every detail and reference you might have missed in "Inside" here. His 2014 song Repeat Stuff and its music video parodies how boy bands and other corporately-owned pop stars prey on young fans desire to feel loved by writing songs with lyrics vague enough anyone can feel like it was written specifically about them. True, but it can deepen and clarify art. Maybe we'll call it isolation theater. There's also another little joke baked into this bit, because the game is made by a company called SSRI interactive the most common form of antidepressant drugs are called selective serotonin reuptake inhibitors, aka SSRIs. Next in his special, Burnham performs a sketch song about being an unpaid intern, and then says he's going to do a "reaction" video to the song in classic YouTube format. He's freely admitting that self-awareness isn't enough while also clearly unable to move away from that self-aware comedic space he so brilliantly holds. But the lyrics Burnham sings seem to imply that he wants to be held accountable for thoughtless and offensive jokes of his past: "Father please forgive me for I did not realize what I did, or that I'd live to regret it, times are changing and I'm getting old, are you gonna hold me accountable?". See our analysis of the end of the special, and why Burnham's analogy for depression works so well. At the beginning of "Inside," Burnham is not only coming back to that same room, but he's wearing a very similar outfit: jeans, T-shirt, and sneakers picking up right back where he left off. But the cultural standards of what is appropriate comedy and also the inner standards of my own mind have changed rapidly since I was 16. In the song, Burnham specifically mentions looking up "derealization," a disorder that may "feel like you're living in a dream. Having this frame of reference may help viewers better understand the design of "Inside." Underneath the Steve Martin-like formal trickery has always beaten the heaving heart of a flamboyantly dramatic theater kid. The song begins with a fade in from back, the shot painfully close to Burnhams face as he looks off to the side. Its an uncanny, dystopian view of Burnham as an instrument in the soulless game of social media. And many of them discuss their personal connection to the show and their analysis of how Burnham must have been thinking and feeling when he made it. Now get inside.". How does one know if the joke punches down? ", The Mayo Clinic defines depersonalization-derealization disorder as occurring "when you persistently or repeatedly have the feeling that you're observing yourself from outside your body or you have a sense that things around you aren't real, or both. Soering New insights from various parties come to light that raise questions about Jens Sring's conviction of the 1985 murders of his then-girlfriend's parents. Burnham reacts to his reaction to his reaction to his reaction, focusing so intently on his body and image that he panics, stops the videoand then smiles at his audience, thanking them for watching. When Burnham's character decides he doesn't want to actually hear criticism from Socko, he threatens to remove him, prompting Socko's subservience once again, because "that's how the world works.". The special is hitting an emotional climax as Burnham shows us both intense anger and then immediately after, a deep and dark sadness. BURNHAM: (Singing) Could I interest you in everything all of the time, a little bit of everything all of the time? Burnham spent his teen years doing theater and songwriting, which led to his first viral video on YouTube a song he now likely categorizes as "offensive.". Burnham starts spiraling in a mental health crisis, mentioning suicidal ideation after lamenting his advance into his 30s. On June 9, Burnham released the music from the special in an album titled Inside (The Songs), which hit No. Mirroring the earlier scene where Burnham went to sleep, now Burnham is shown "waking up.". After about 35 minutes of candy-colored, slickly designed sketch comedy, the tone shifts with Burnhams first completely earnest song, a lovely indie-rock tune with an ear worm of a hook about trying to be funny and stuck in a room. This is the shows hinge. Just as often, Burnhams shot sequencing plays against the meaning of a song, like when he breaks out a glamorous split screen to complement a comic song about FaceTiming with his mom. 1 on Billboards comedy albums chart and eventually climbed to No. Inside (2021) opens with Bo Burnham sitting alone in a room singing what will be the first of many musical comedy numbers, Content. In the song, Burnham expresses, Roberts been a little depressed ii. In the same way that earlier vocal distortion represented God, the effect on his voice in "All Eyes on Me" seems to signal some omniscient force outside of Burnham. Burnham's creative background began with being a theater then he transitioned to musical-comedy. And I'm just wondering, like, how would you describe that? HOLMES: I liked a bunch of the songs in this, and a lot of them are silly songs about the things that his comedy has already been concerned with for a long time, right? Coined in 1956 by researchers Donald Horton and Richard Wohl, the term initially was used to analyze relationships between news anchors who spoke directly to the audience and that audience itself. But then, just as Burnham is vowing to always stay inside, and lamenting that he'll be "fully irrelevant and totally broken" in the future, the spotlight turns on him and he's completely naked. Most creator-made content online is available for free, meaning creators usually have to rely on their fans for income via crowdfunding like Patreon. Is he content with its content? Whatever it is, NPR's Linda Holmes, host of Pop Culture Happy Hour, has reviewed it, and she liked it. Burnham had no idea that his song would be seen more than 10 million times,nor that it would kick start his career in a niche brand of self-aware musical comedy. So this is how it ends. From the very beginning of "Inside," Burnham makes it clear that the narrative arc of the special will be self-referential. "Trying to be funny and stuck in a room, there isn't much more to say about it," he starts in a new song after fumbling a first take. He's self-evaluating his own visual creation in the same way people will often go back to look at their Instagram stories or posts to see how it looks after they've shared it. of the internet, welcoming everyone with a decadent menu of options while disco lights twirl. Bo Burnham: INSIDE | Trailer - YouTube 0:00 / 2:09 The following content may contain suicide or self-harm topics. A distorted voice is back again, mocking Burnham as he sits exposed on his fake stage: "Well, well, look who's inside again. At the start of the special, Burnham sings "Content," setting the stage for his musical-comedy. And its easier to relax when the video focuses on a separate take of Burnham singing from farther away, the frame now showing the entire room. In his new Netflix special, Inside, Bo Burnham sings about trying to be funny while stuck in a room. our full breakdown of every detail and reference you might have missed in "Inside" here. But then the video keeps playing, and so he winds up reacting to his own reaction, and then reacting yet again to that reaction. "Goodbye sadness, hello jokes!". Bo Burnhams Inside: A Comedy Special and an Inspired Experiment, https://www.nytimes.com/2021/06/01/arts/television/bo-burnham-inside-comedy.html. Anything and everything all of the time. It's wonderful to be with you. Self-awareness does not absolve anybody of anything.". So for our own little slice of the world, Burnham's two time spans seem to be referencing the start and end of an era in our civilization. "The quiet comprehending of the ending of it all," is another of Burnham's lyrics in this song that seems to speak to the idea that civilization is nearing collapse, and also touches on suicidal ideation. Burnham is especially aware as a creator constantly reflecting on his own life. It's progress. "I'm so worried that criticism will be levied against me that I levy it against myself before anyone else can. ", When asked about the inspiration for the song, like if people he knew thought he was gay, Burnham said, "A lot of my close friends were gay, and, you know, I wasn't certain I wasn't at that point.". Then comes the third emotional jump scare. The special was nominated for six Emmy Awards in 2021, of which it won three: Outstanding Writing for a Variety Special, Outstanding Directing for a Variety Special, and Outstanding Music Direction. "Everything that once was sad is somehow funny now, the Holocaust and 9/11, that s---'s funny, 24-7, 'cause tragedy will be exclusively joked about, because my empathy iss bumming me out," he sang. At the forefront of this shift has been Bo Burnham, one of YouTubes earliest stars, who went on to make his own innovative specials with satirical songs backed by theatrical lighting and disembodied voices. Many of his songs begin seriously, then shift into the joke, but this one doesnt. Burnhams eyes are sharply in focus; the rest of him faded out subtly, a detail you might not even notice with how striking his eyes are. A gift shop at the gun range, a mass shooting at the mall. And I think that, 'Oh if I'm self-aware about being a douchebag it'll somehow make me less of a douchebag.' Well, well, buddy you found it, now come out with your hands up we've got you surrounded.". And I don't think that I can handle this right now. One of those is the internet itself. I cant say how Burnham thinks or feels with any authority, but as text and form-driven comedy, Inside urges the audience to reflect on how they interact with creators. The song's melody is oddly soothing, and the lyrics are a sly manifestation of the way depression convinces you to stay in its abyss ("It's almost over, it's just begun.

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